The Ronny modular sofa reimagines the concept of home conviviality through a design language defined by generous, sculptural forms delicately supported by a wooden structure that highlights its material essence. Each module—whether straight, corner, or chaise longue—interacts harmoniously with the others, allowing for flexible compositions that can adapt to any spatial or design requirement, even on a grand scale. The internal structure is studied to grant the maximum comfort and it is made of multilayer wood combined with solid poplar and fir. Elastic straps, positioned in the same direction as the seat and parallel to each other, to ensure both elasticity and comfort. The padding consists of polyurethane foam in differentiated densities, including a double layer with both high and low bearing capacity. A firmer band is integrated into the front section to improve the leg support. The uppermost layer features thermosensitive foam, further enhancing comfort through responsive softness. The padding is fully wrapped in a quilted 100% goose down duvet, itself enclosed in a tightly woven canvas cover to prevent feather migration. Soft textile cushions trace the silhouette of the wooden frame, creating gentle, embracing lines, folds, and pleats that define Ronny’s distinctive aesthetic. The sofa can be upholstered in a wide selection of Porada fabrics, with removable covers in fabric and fixed in leather.
Gabriele Buratti, architect and professor of interior architecture at the Design department of Politecnico di Milano and Oscar Buratti, architect, together founded the BURATTI ARCHITETTI studio. The Studio has a multidisciplinary practice, which covers buildings and urban areas, architecture to interiors, furniture and object design, as well as design of exhibitions and showrooms. An intense and varied professional path in which themes, places and typologies, brands and people, materials and craftsmanship, mingle together. Buratti brothers share with Porada the intention of combining culture and professional specialization, experimentation and technique, original visions, and product quality.
“We don’t believe in striking gestures, but in the ability to transfer into the object a broader view of the space, good technique and care of detail.”
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